At the risk of offending everyone with
this comparison, Route 66 is basically America's Paris. Once upon a
time some really cool shit happened there that more or less defined
the greater national identity, but nothing really has happened there
for a while, hey look, a museum! (Also it's apparently the sort of
place where people randomly and unexpectedly fall in love. But that's
another story...) This is Pen Pen getting his kicks on Route 66.
These days, Route 66 is a mausoleum to
itself. Bypassed and surpassed by the more efficient but way less
interesting Interstate 40, the towns along Route 66, which survived
entirely on the throngs of migrants and vacationers headed west, have
shriveled up like a raisin in the microwave. It is America in
microcosm, both good and bad. The possibilities presented by the open
road. Our expansive beautiful landscape. The regional quirks that fly
in the face of American monoculture. But also our bad habit of
building something up long past the point of sustainability and then
standing back and watching as it collapses in on itself. Nearly every town has a
“Route 66” landmark. As if to say “This! This over here! This was a thing
once!” This is Pen Pen at a thing once.
As I drive from Albuquerque to
Amarillo, the roadside is pockmarked with the remains of towns. I
can't help but wonder how long ago these gas stations were shuttered.
Some look like they haven't seen use since the 70's. Others could
have been open just last week. Teepee shaped hotels and gift shops
trade in Native American exoticism, while the actual Reservations
dotting the highway are a reminder of the cost of the open road;
crimes for which no justice has yet been served. For all the fun and
nostalgic kitsch of the 50's themed diners and diner themed gas
stations and gas station themed book stores, there is a sadness here
that no amount of chrome and Bill Haley jukeboxes can cover up. This
is Pen Pen and existential crisis.
Amarillo's another story though. One of
the towns that survived the Interstate 40 overpasses, Amarillo wears
its Route 66 heritage proudly. Along 6th Ave nearly every
building is emblazoned with the iconic logo. Classic cars line the
street. The hint of desperation behind the nostalgia in other towns
is distinctly missing. The show that night is sparse, but it's one of
those nights where the right people were there. Light and Ladder and Whim Grace are both really incredible. There's a level of sincere
appreciation for each others' work as we each take the stage. When
the show finally ends at midnight, none of us want to go home. We end
up heading over to one of the manager's houses for a bit to hang out
and eat fajitas and then Whim and I head to Merri's to pass out. This
is Pen Pen just thankful we're not staying at this hotel; it doesn't
even look like they have wi-fi.
The next day, I reluctantly hit the road towards Oklahoma. The remainder of the tour is now measured in days. Soon it'll be measured in hours. I'm tired and a little homesick, but I'm not ready to go home yet. But Afropunk Festival waits for no man, and I'm not about to NOT abuse my all-access pass to The Coup. This is Pen Pen assuring Boots Riley that he's really not that kind of creepy obsessive fan.
This a song I recorded one time. You should download it and share it with your friends.
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